![]() Like the original organ players during the silent era, John Nafie works from cue cards to match the music to the on-screen action. Creepy music for creepy scenes, happy music for happy scenes and character themes for character appearances. This particular movie has a major potential pitfall, said Nafie. That is keeping the music in synch with the ballet dancers during the scene when they hop and pirouette around the stage to a precise beat.īut Nafie has a head start over the early movie organists. They might preview the movie once before being handed the music. ![]()
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